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  Termin: Mittwoch, 25.3.2026 Ort: Heiliggeistkirche Bern   Programm: 18.30 Imbiss & Austausch unter den Teilnehmenden: - Welche guten und schlechten Erfahrungen habe ich gemacht? - Was ist mir wichtig? - Was verstehe ich nicht? - Was wünsche ich mir?   19.30 Podium mit - Ursina Anderegg, Sozialdirektorin Stadt Bern - Nataliia Hradanovych, Living Room Bern und „die freien Ateliers“ - Issa Abdullahi, Swiss African Forum - Lara Sutter, Satellites of Art   Der Anlass findet zweisprachig Deutsch-Englisch statt. Ein Anlass im Rahmen der Aktionswoche der Stadt Bern gegen Rassismus.  

  Participative installation with crowncaps during the Festival der Kulturen in Bern at the Offene Kirche. https://festivalderkulturenbern.ch/   March 21, 2026 Address: Offene Kirche Bern in der Heiliggeistkirche Spitalgasse 44 3011 Bern   “Crown Caps x Migration” is a participatory dialogue project that uses art as an accessible tool to promote intercultural exchange, social participation, and mutual understanding. Through shared artistic activities in public spaces, people from diverse backgrounds actively collaborate and engage in conversation with one another. The project creates spaces for encounter where diversity becomes visible and dialogue is encouraged around migration, coexistence, and broader social issues.   Together, we will create a collective installation made of bottle caps.Each bottle cap

  Different perspectives capture each artist’s focus. Each practice is shaped by its own set of questions, experiences, and modes of expression, directing attention toward diverse subjects and fields of inquiry.   This collective exhibition brings together four artists from Iran whose practices differ widely in subject matter, medium, and approach. Landscape, environmental issues, inner worlds, and questions of culture and gender coexist in the space without being unified under a single theme.     The exhibition foregrounds difference: Each artist focuses is shaped by personal experience and individual modes of expression. At the same time, subtle intersections emerge through parallel gestures of searching, observing,

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