Perspectives in Focus, Biel – Switzerland
Different perspectives capture each artist’s focus. Each practice is shaped by its own set of questions, experiences, and modes of expression, directing attention toward diverse subjects and fields of inquiry. This collective exhibition brings together four artists from Iran whose practices differ widely in subject matter, medium, and approach. Landscape, environmental issues, inner worlds, and questions of culture and gender coexist in the space without being unified under a single theme. The exhibition foregrounds difference: Each artist focuses is shaped by personal experience and individual modes of expression. At the same time, subtle intersections emerge through parallel gestures of searching, observing,
SoA Newsletter October-December 2025
We are filled with enthusiasm to share highlights of our current work with you.
SoA Newsletter July-October 2025
We are filled with enthusiasm to share highlights of our current work with you.
Crown Caps × Migration
Looking back on moments of shared creation and collective reflection among them Crown Caps × Migration, a participatory project led by Ursula Wolf in collaboration with the African Council. Held on December 20th as part of the International Day of Migrants and the African Council’s end-of-year celebrations, the project brought together people from different backgrounds to take part in a community-driven art installation. Through simple yet powerful materials "metal bottle caps" participants transformed everyday objects into a collective artwork shaped by stories of movement, belonging, and diversity. Guided by Ursula Wolf, the process invited conversation, listening, and collaboration. Each bottle cap, gathered
ASIMETRÍA at Geneva Peace Week 2025
We were very proud to be part of the Geneva Peace Week 2025 with ASIMETRÍA, en exhibition by Erika González Ramírez (Colombia). Erika González Ramírez (@minotauracollage) is a collagist, filmmaker, a journalist and feminist deeply committed to women's rights. She lives and works between Bogotá and Brussels. Her works depart from the perspective of autofiction and from constantly questioning the place of women in society and her own experiences. It intertwines the intuitive and the rational, the personal and the political. Erika's collages move between paper, textiles, and acrylic, combining these materials to tell stories of violence perpetrated against women's bodies and territories. In
